Here’s a link to West Vine Press’ page and an interview I did for Kleftikos radio where I spoke with Frankie Metro about Slow Living.
https://westvinepress.wordpress.com/2016/10/21/new-release-tuesday-1/
Here’s a link to West Vine Press’ page and an interview I did for Kleftikos radio where I spoke with Frankie Metro about Slow Living.
https://westvinepress.wordpress.com/2016/10/21/new-release-tuesday-1/
WEST VINE PRESS BOOK RELEASE DATES (Fall 2016) October 11th. West Vine Press #3 Sampler October 25th. Slow Living by Kenyatta Jp Garcia. November 1st. Poetic Poverty by Andrew K. November 8th. As…
Source: Trailer #1 (of a real book coming soon): WVP Sampler Number Three (FILE UNDER BOOK COMMERCIALS 2016)
purling this timidity into
cities translated by clouds
as forever rests
on gossipers’ tongues.
*
gulls been fending for
and fending off
longer than this shyness
ever existed.
electricity’s been static
fingertips
discovered nothing
but an experience.
*
didn’t go / didn’t get
mad
but took in a tear
on receiving news.
sheltered sadness
fostered it
for sake of something.
parrots had nothing to repeat.
mockingbirds eased of mimicry.
quieted, calmed –
reflecting on the essentiality
of being
another animal.
*
instinctively,
descent comes closer to home
to find the core –
bypass wounds, scars, sore spots
to dismay of symptoms
distracting the cure
*
in fear, death rises again
within
breaking out
heaven from hell
fury from fate
–
injustice amused
*
with a distaste being mutual between
needle and cloth
thread – the only common friend –
binds both until
the job is through.
*
aloof
crammed into the corners of the mind –
holding up the walls of theories never to be
a fly holding back the boulder
telling Sisyphus
give up the task
what worse could possibly come?
*
rain hungers for a face
tongues for a drop
“when I say we sometimes I mean I and the voices I’ve heard or the voices I’m searching for. and sometimes when I say us, you can join in. and sometimes when I say you, I can’t imagine who I’m thinking of. and sometimes when I say they, it’s about me. and sometimes when they don’t like it, I revert back to I and start again.”
Read the rest here: http://inferiorplanets.com/issue1/2016/02/10/garcia/
Source: Submissions
Submissions are open at ALTPOETICS for experimental/innovative and critical writings about comic books, manga, and graphic novels.
altpoetics.wordpress.com
when truth does not lie enough to feel safe, then there’s always faith
to fall back on,
bestselling belief
something to fill up on
as all else burns away.
desire exchanged its wings for lead feet
one last kiss was just another undefended explanation.
tender affections cried out for shoulders to rely on
to lift up from where illusions begin
uneasiness travels
even as it is
held back
struggles escape
give themselves away
.
what charm hides
is severity = sincerity
of situations
slight, slimmest hints
(c)overt flirts
something to imply
before honesty finally comes through. Ends it all.
What is happening
is the job
of hyper-real
suffering
poetry
of natural
and experiment(al) following
method
through idea into its truth
and history
being created
as it breathes
as its fog of being makes misty
eyes and ears
sensing
a reality to be beyond
recording but ready for
transmission
On behalf of those throats
with voices
aimed at ears
too full
to receive
anymore news.
Here,
the spaces left amid the lines
and print
is there.
Let fall those songs;
overlap these stanzas
Let these movements
twirl and twist
and cross fingers
for next time.
* * *
Adults need imaginary friends too.
Nights passed
on pillows
with or without
a mate
are still and long
in December.
But another’s perspective
can whisk
dreams and reality
together
to stiff peaks
for the climb.
* * *
Nutmeg flecks in béchamel
As ants cross the sand-
utilitarian laborers
and jarheads
burrowing-
putting in a hidden
palace
for a queen.
Skin speckled,
cinnamon on cappuccino foam.
Hopes and reality
are not
as childhood plaits
anymore.
Pulled and peeled
away
penny candy
licorice
The knock-kneed girl
is gone.
* * *
Foot-staring
turned from moments
to nearly a decade.
The intricacy of the shoelaces
never loosened
nervousness
and never bound
anything but the tongue.
* * *
Tight.
Two braided kids
on schoolyard concrete
with but a chainlink fence
as a third hand
to hold
the Double-Dutch rope.
Harmonizing
as breath gets heavy
in the jumper’s chest.
Singing all those skipping songs
while the cord whistled
past ears
and ponytails sway
and cornrows
become frizzy
with sweat.
* * *
Out to sea-
crest above the ship
rivers mingle to ocean
drop
to
drop
till puddles form.
But can’t drown here
where the whisky’s
not neat.
* * *
Raisins, peanuts,
assorted seeds
almonds
filberts and the rare macadamia,
granola too
fishing for chocolate
as the trail gets longer
behind than in front.
Trees turn forest
eclipsing light,
raindrops
and the endgame.
* * *
Never meant to crease your pages-
leave no mark
on the dark green hill-
no dog ears
in life,
as space and time mingle
to separate
mate from mate
from
all those co-occurrences
that aren’t ‘posed
to happen
as talkers talk.
Code-switch
stuck
so trains
run
right at each other
Splinters, metal, moneyed-passengers,
conductor and caboose
combine.
Well, now it seems
they’ll all be going to the same place
As even God likes
his potatoes with corn,
gravy, cheese
and meaty bits.
* * *
Pigeon-toed boy
hoping to knock down threes
-lay down the assist.
The folding chairs
spread
-drills
weaving on a loom
a silk
orange scarf
in the hands.
Then comes the hero,
with thoughts of the net
and an elongated
endless
sign of infinity
to wrap around.
No points for this endeavor
so when
it’s time to begin
and trips,
instead of getting up
stays down –
decides to see what’s there
in that grain
in the shellac
among the legs –
why there’s millions of bucks
in the sky
and new shoe deals.
* * *
Null accents
from moving around / living
with all those kids
(some of which struck a nerve
not a good one).
Down and across
melt in crosswords
and mean nothing
removed from the clues.
Japanese number puzzles
place Arab numerals
one to nine
in disarray.
And every once in awhile
letters clog the brain
until
it’s forgotten that with fractions
you cross-multiply.
* * *
Never take water for granted
nor anything else
either,
air or the second person
(becoming third).
Imagine the sea off Southern Spain
centuries ago.
Ostrogoths, Vandals, Moors,
Castillian, Basque,
the Church,
Islam.
The Latin vulgar
and Arabic
a chanting wine song,
Koranic verse
and our nuniya.
Intertwined
in a verbal form,
a lengthy poem,
us.
Lost individuals
wrapped up in the grammar
of the captors-
it was worth it,
then swept up in fits
of a larger identity
all the dust
collected in handled pans
Mixed –
forever
for always,
the tongue
the accent
the stanzas,
the prisons,
the questions
not destined
for answers.
The power and ownership
shifts
and all that remains
is ‘nos.’
* * *
There is no coincidence
as the fly finds itself
in the spider’s web.
It was just an intersection
of persistence
and curiosity.
* * *
Twisting and twisting
ladder
scaling
evolution
on double-helix.
All that happenstance
was DNA
and thousands of switchbacks
up the slope.
And even more so,
it was
the mingling of laughs
as one audience
with the greatest joke.
So, some came from the sea
and some stayed right there
And the cat stayed asleep
over the Chinese sky
as twelve others assembled
the zodiac.
Now, he’s just a another soul
staring at the door
of a restaurant.
* * *
Don’t think for a second
it was only
the Portuguese who had navigators,
All those maps
with carefully
placed X’s
and coastlines
a few miles off
read by cross-eyed sailors
and sent up
to the crow’s nest
as sails and oars
were adjusted
under the supervision
of the cartography
and calligraphy
of so many sources
near and far.
* * *
Straight lines
pierce the O’s
of tic-tac-toe
which would be no game
minus the crosses.
* * *
Scurrying country chipmunks
Don’t dance with city squirrels
that’s probably just because
they like different pop songs
and neither likes a liar.
* * *
Just then,
the puppy had a change of mind
turned back the circle
but for all the eddies,
dust devils,
and cyclone
he ain’t never gonna
get that tail.
* * *
Divisible by 4
and then by 2
now it’s prime.
It’s even
so even
skaters trace its figure.
Endless flat
or raised to Mobius
strip
follow
follow
the path
it’s basic string theory
with one twist
and then that’s
when serendipity comes.
Come stripped
Enter nude
Without nuance
Pretense of support
* * *
Beyond honest
What’s most superlative?
* * *
The tabletop has circles brushed
into its whatever-it-is
surface
to feel
handmade
* * *
Virtue is tugged
by its opposite
to see what dolor
has been painted.
* * *
Dull and moist
city streets-
what does urbane
mean?
How is it used
today
not as in Verlaine’s
day
Not Victorian
but currently
in the post-contemporary
sense
After the passing
of the Avant and Van-
guard?
Where maybe
question marks
shouldn’t be used
or capitalized
(meaning turned
on its head
for preguntas)