Updated WVP Book Release Schedule

Check out the release dates from West Vine Press which also include my upcoming book – Slow Living.


West Vine Press Moves Words Around To Make Real Books For Real Human Beings.

Source: Updated WVP Book Release Schedule


Now Available: Playing Dead

Now Available for Kindle

Playing Dead

an epic poem

From Not So Fast

Not So Fast

But there is a chasm
filled with scripts
or screenplays.
Somewhere there’s a rusty
RCA Victor mike
And a Yamaha amp
with peculiar buzz
of mosquito secrets
And no one has been able
to fill the ad.
Openings and closings delayed
with the same repartee of one of these
* * *
Can’t both stare in the mirror
in the same moment.
Two wholly wholes
halfway blended
Connected – a point just beyond
the brain.
Craniums fused into one –
with lyrics
of cowboy songs.
A multi-appended chimera
facing two ways
into compromise
And when one goes
I’ll have to carry
that load
String arrangements.

To read the home poem click here

or go the Chapbooks and Long Poems page

Excerpt from Yawning on the Sands

Excerpt from Yawning on the Sands

What comfort came next in form’s betrayal

was known as merged.

Beast without burden

laid down

watched over waves

– figures afraid of sleep

turned back to streets

to factory

to see future emerge

broken from mold

from origins disposed.

Destruction post-supposes structure.

* * *

No sandcastles could be built

without daydreams

but perhaps a daydream is “cousin to tears”

            (Velimir Klebnikov)

which serve only to sting and wash away

what was made

to give fantasy home

on beach day

Interview about This Sentimental Education

Marc Latham of Folding Mirror Poetry nominated me to answer a few questions about my next book for a blog meme -The Next Big Thing. I really appreciate all the support FMPoetry.wordpress.com has shown me over the past year or so. I would like to answer some questions about my new book which is now available for Kindle but unfortunately, my work on various other projects has kept me from really looking at other blogs so I don’t have 5 other people to nominate and instead, after answering the questions, I’ll give a brief list of the most recent books I’ve read and enjoyed and one of my favorites which has had the most severe impact upon my writing style/aesthetic.

Ok, so here goes the Q&A.

What is the title of your new book?

For those of you who have noticed a severe drop-off in my posting as of late, it has been in part due to tinkering with This Sentimental Education which is now available for Kindle (or will be later today).  But, also I’ve been working towards collecting my Early Works which will be split into two volumes and should be out around New Year’s.

What genre does your book fall under?

Poetry – epic.

What actors would you choose to play the part of your characters in a movie rendition?

There are no characters in this poem well not in the traditional sense so maybe for narration sake I’d go with John Leguizamo, Chris Rock or maybe Donald Glover (from the show Community).

Will your book be self published or published by an agency?

My book will be self-published.  KDP/Createspace.

How long did it take you to write the first draft of the manuscript?

This poem was written in an amazing 2 week span.  Then I let it sit for about a year before further tinkering with it.  Then I left it alone again for a few months and then gave it another few close readings before coming to this ending.  So, I guess it took two weeks to write and two years to edit.  And, most of the cuttings from this poem ended up in the latter half of Back Pocket Book – in particular the poem Don’t Lose The Sun.

What other books would you compare This Sentimental Education to within the genre?

In all honesty, I don’t know what else I’d compare it to within the genre.  I guess, I could say Alice Notley’s Disobedience and Culture of One for sheer length or Nathaniel Mackey’s Splay Anthem for its style.  But, I read both of those books after coming to completion with this book.  Really, I guess a good look at Ted Berrigan’s work other than his sonnets would be a close cousin of what I’ve written.  Or maybe, Coney Island of a Mind by Ferlinghetti.

Who or what inspired you to write this book?

The inspiration for this book came from my dislike of the traditional narrative poem.  I really wanted to dismantle the narrative as understood in English departments and in Sociolinguistics.  I wanted to disrupt story and hero.  What was left behind was the pure lyricism of sentiment and a new approach or style of writing the long poem or the epic.

In writing this book, I dug into Proust for character, Beckett for story, and Genet and Wilde for a poetry of confinement. Poetry based on not being able to do but only to think – Treasures of the Night and Ballad of Reading Gaol.  In addition, I kept Carver and Carruth close to my heart/mind.

Basically, I felt that a change was in order for the narrative.

What else about the book might pique a reader’s interest?

Personally, I believe of the utmost interest to the reader would be the imagery of the book.  I think the reader would enjoy images moving in and out of view through spirals and obstructions and much less by circles and cycles.  I think a fan of Toomer’s Cane would see his influence in my approach to movement and repetition as not quite the same as when it first occurred.

And, I think the reader might enjoy a push away from subjectivity so common in lyricism.  This poem is lyrical abstract(ion) as seen in the paintings of a guy like William Pettet or abstract lyricism as Lorca refers to Stephane Mallarme.

And finally, many apologies for not being able to nominate other blogs but a few books/writers to think about:

Bin Ramke -Theory of Mind

Donald Revell – The Bitter Withy

Rowan Ricardo Phillips – The Ground

Alice Notley – Culture of One

Ted Berrigan – Collected Poems of Ted Berrigan

Anna Elena Eyre – Faceless Names